The CCHP Artist-in-Studio provides visual artists with free long term studio spaces, exhibition opportunities, and professional development. In exchange, each of the selected artists completes youth outreach through TCP's Community Arts Program (CAP) whose 2018 beneficiaries include Paint Love and Columbia Residential. The studios and exhibition space are located at The Goat Farm Arts Center in Atlanta, Georgia. Two alternates receive promotional and career support while more accommodations are procured during each residency term.

Jessica Caldas

The issues addressed through my work are those surrounded by stigmas, such as domestic violence, homelessness, sexual assault, mental health, and incarceration. Stigma prevents many from talking openly about these topics, which increases misconceptions and “othering”: the idea that these things exist only for certain kinds of people in certain kinds of ways. Through conversation, experience, and interaction I can reduce stigmas and destroy the idea of the “other” when it comes to our understanding of these issues and who they affect. My practice strives to create spaces for conversation, opportunities for education and awareness, and actions for change around these subjects. I seek to make these hard topics more accessible, while still honest, and without sensationalization. Doing so creates space for action and change.

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Andrew Catanese

It is my belief that knowledge about our space gives us the power to claim our spaces. So often, we must live in places that never quite feel like home but learning, naming, and finding beauty in every corner of our neighborhoods gives us license to change that. Knowing the plants around us, when they flower, how they flower, what will replace them as the seasons change, connects us to our surroundings in such a way that makes them ours, that makes even the most mundane sidewalk a point of pride. Furthermore, learning how to take knowledge and translate it into creative works provides a therapeutic skill that can be utilized over a lifetime.


Adam Forrester

Utilizing photography, video, performance, and installation, I aim to examine the interdependence of history and mythos as they both pertain to place. Within many of the artistic projects I pursue, I borrow from narrative cinematic language as I perform and construct my own reality for the camera. By inserting myself into the landscape, I aim to reconfigure my complex relationship with the American South. The actions I choose to undertake within many of these performances are often rooted in failure, futility, and chance. By embracing a notion such as failure, I aim to illuminate a more playful and optimistic perspective of the challenges and futility found in our current era.

Maria Korol

Personal narratives, memory, and imagination can be both personal and political. I left my country as an adult after a tumultuous childhood and coming of age. I was born in a dysfunctional Jewish family in the middle of a seven-year murderous dictatorship in Argentina…Like Julio Cortázar, James Joyce, and Jean Rhys I’m uprooted and compelled to remember, reimagine, and recreate both my past and my place. I do so through different strategies such as satire and humor, invention and storytelling.

…When constructing my images, I give them a feminist angle and tell the stories in a straight-on, illustrative manner. Spontaneity and rhythm are present and the final aim is to communicate a mindset in the vein of artists like Paula Rego and Kara Walker. The narratives often come from my own experiences back in Buenos Aires, Argentina, but I also depict stories that I have heard, read, or invented.


Sara Satamaria

As an immigrant that has dived in different cultures, my artwork relates to the essence of who we are, where we have come from, and where we are journeying. This approach is a powerful facilitator of culture, identity, and growth. It will help bringing people together across boundaries, increasing understandings across disparate and historically unequal groups, and supporting the underrepresented communities to create, maintain and share their own stories.

Zipporah Camille Thompson

It is my goal to touch as many people as I can through my work, and to give underrepresented, marginalized people of color, a voice and a vision of hope, advancement, and transcendence. My priorities are to create meaningful work that inspires and uplifts, as well as to create powerful work which serves a visual catalyst for change. I hope to provide a moment of refuge and peace, enlightenment and philosophical reflections upon nature, coexistence, life, and humanity.

Kristan Woolford

The one undeniable truth that I base my work in is that we all have souls, and we are all connected on a spiritual level. I strive to interrogate, explore, and encourage sense-making about how the process of creating more equitable circumstances for all. What I ultimately aim to create are the conversations surrounding social justice and Black experiences in America that begin to percolate among individuals after they have experienced my work.